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Socrates is known for proclaiming his total ignorance; he used to say that the only thing he was aware of was his ignorance, seeking to imply that the realization of one's ignorance is the first step in philosophizing. Socrates exerted a strong influence on philosophers in later antiquity and has continued to do so in the modern era.
The myth of Timarchus of Chaeronea within the piece is thought to be an imitation of Plato's Myth of Er (a part of the larger work, known as the Republic). [4] [8]It is noted that De genio Socratis is similar to Phaedo by Plato, in at least due to the fact that both works are concerned especially with the divine sign, that is the daimon, of Socrates.
Socrates understood the Pythia's response to Chaerephon's question as a communication from the god Apollo and this became Socrates's prime directive, his raison d'être. For Socrates, to be separated from elenchus by exile (preventing him from investigating the statement) was therefore a fate worse than death.
Bust of Socrates from the 1st century in the Louvre, Paris. Daimonion (Ancient Greek: δαιμόνιον, daimónion; Latin genius) is the name given in ancient literature to an inner voice which, according to tradition, gave philosopher Socrates warning signs to prevent him from making wrong decisions. Socrates considered the originator of ...
The Apology of Socrates (Ancient Greek: Ἀπολογία Σωκράτους, Apología Sokrátous; Latin: Apologia Socratis), written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates (469–399 BC) spoke at his trial for impiety and corruption in 399 BC.
Sócrates was a key member of the Brazil national team of the early to mid-1980s; Jonathan Wilson said that "Socrates was the brain of Brazil. He might not quite have had the flair of Zico, but he was the central intelligence". [26] Former coach at Fiorentina, Giancarlo De Sisti, said: "Socrates was a very intelligent man, he had great class."
There are four works of Xenophon that deal with Socrates. They are Apology of Socrates to the Jurors (which apparently reports the defence given by Socrates in court), [11] [12] Memorabilia (which is a defence of Socrates and so-called Socratic dialogues), [11] Oeconomicus (which concerns Socrates' encounter with Ischomachus and Critobulus), [12] and Symposium (which recounts an evening at a ...
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...