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Edward Habib in the CD program notes for Songs That Won the War Vol. 2 The Hollywood Canteen states that the Andrews Sisters' radio transcription of Elmer's Tune was "so popular it even played on German radio," noting that "the opposition embraced the Andrews Sisters and their songs in the same way the Allied Forces adopted Lili Marlene."
"Boogie Woogie Bugle Boy" is a World War II jump blues song written by Don Raye and Hughie Prince which was introduced by The Andrews Sisters in the Abbott and Costello comedy film, Buck Privates (1941). [1] The Andrews Sisters' Decca recording reached number six on the U.S. pop singles chart in the spring of 1941 when the film was in release.
The Andrews Sisters then released the song on Decca Records as a 78 single that month, peaking at no. 16 on Billboard. (In a 1971 interview, Patty Andrews reported that this was their most requested song.) [1] Many other artists released records of the song that year, including Kay Kyser.
It should only contain pages that are The Andrews Sisters songs or lists of The Andrews Sisters songs, as well as subcategories containing those things (themselves set categories). Topics about The Andrews Sisters songs in general should be placed in relevant topic categories .
The recording by The Andrews Sisters came in at #2 on Variety's list of bestselling songs despite censors only allowing the song to play on the radio for nine or ten weeks. [3] A version by Alvino Rey was popular. [10] The song was popular with U.S. troops during World War II. [11]
The song has been recorded by numerous artists including: Artie Shaw (1937) Harry James; The Andrews Sisters (US no. 5, 1941). Patty Andrews of the Andrews Sisters describes how they performed the song "in 4/4 [time] when originally it was a waltz". [2] Vera Lynn; Nat King Cole; Jo Stafford (1946) Charlie Rich
"Shoo Shoo Baby" is a popular song written by Phil Moore. The song was made famous by The Andrews Sisters, [1] as they sang it in the 1943 film Three Cheers for the Boys. "Shoo, Shoo Baby" was a big hit for the trio in 1944, reaching No. 2 in the chart. Their version features a jazzy vocal pop arrangement typical of the time, with a key hook ...
The song was written by Bennie Benjamin and George David Weiss and published in 1946. It was popularized in 1946 by Frankie Carle (vocal by Marjorie Hughes) [1] and by The Andrews Sisters with Les Paul. [2] The Frankie Carle version was a number-one hit in 1946 in America for nine weeks from late October that year. [3]