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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
The Sibyl Agrippina is a circa 1630s oil painting of a Black woman in the guise of the Sibyl Agrippina (also known as Sibyl AEgyptia). The painting is one of a series of Sybils by Jan van den Hoecke, only recently being re-attributed after being known as an early portrait of an African woman by Abraham Janssens.
Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c. 1789 – 29 December 1815), also spelled Sara, sometimes in the diminutive form Saartje (Afrikaans pronunciation:), or Saartjie, and Bartman, Bartmann, was a Xhosa-Khoekhoe woman who was exhibited as a freak show attraction in 19th-century Europe under the name Hottentot Venus, a name that was later attributed to at least one other woman ...
Death and the Maiden (Schiele) Death and the Miser; The Death of Actaeon; The Death of Adonis (Rubens) The Death of Balder; The Death of Captain James Cook (Zoffany) The Death of Chevalier Bayard; The Death of Chione; Death of Cook; Death of Dragut; The Death of General Montgomery in the Attack on Quebec, December 31, 1775; The Death of General ...
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Art historian Judith Stein noted: "A cultural icon, the spry, productive nonagenarian was continually cited as an inspiration for housewives, widows and retirees." [12] Her paintings were reproduced on Hallmark greeting cards, tiles, fabrics, [3] and ceramics. They were also used to market products, like coffee, lipstick, cigarettes, and cameras.