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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The Slave Ship, originally titled Slavers Throwing overboard the Dead and Dying—Typhon coming on, [1] is a painting by the British artist J. M. W. Turner, first exhibited at The Royal Academy of Arts in 1840. Measuring 35 + 3 ⁄ 4 in × 48 + 1 ⁄ 4 in (91 cm × 123 cm) in oil on canvas, it is now on display at the Museum of Fine Arts, Boston.
Portrait of Madeleine, also known as Portrait of a Black Woman (French: Portrait d'une femme noire or Portrait d'une negresse), is an oil-on-canvas painting by the French artist Marie-Guillemine Benoist, created in 1800.
The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
No Woman No Cry is a 1998 painting created by Chris Ofili in 1998. ... The canvas measures 243.8 centimetres (96 in) high by 182.8 centimetres (72 in) ...
The picture is a bit higher than it is wide. Shown from above, a small child with blonde hair is depicted in the left half of the painting, who is facing the viewer, standing in front of the bed of a dead or dying woman to whom she has turned her back. Her arms are raised, the hands seem to be pressed against the ears, the head is slightly lowered.
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The material of these pieces also informed Pindell's work: while African art embraces the use of objects in sculpture such as beads, horns, shells, hair, and claws, so Pindell's collages began to incorporate additional elements including paper, glitter, acrylic, and dye. [8] By the 1980s, Pindell was also working on unstretched canvas.