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Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [1] Graphic notation was influenced by contemporary visual art ...
Many composers have applied graphic notation to write compositions. Pioneering examples are the graphical scores of John Cage and Morton Feldman. Also known is the graphical score of György Ligeti's Artikulation designed by Rainer Wehinger, and Sylvano Bussotti.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
An example of Znamenny notation with so-called "red marks", Russia, 1884. ... either by adapting standard Western musical notation or by using graphic notation ...
This notation may be, like music on traditional staves, a time-pitch graph system. Earle Brown's December 1952 consists purely of horizontal and vertical lines varying in width, spread out over the page; it is a landmark piece in the history of graphic notation of music. The role of the performer is to interpret the score visually and translate ...
By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting and canon. Moreover, the concept is demonstrated by sometimes ...
Graphic notation, graphical notation or "diagrammatic notation" may refer to: Graphic notation (music) Graphic notation (dance) A diagrammatic notation in ...
Graphic representations form an important part of Schenkerian analyses: "the use of music notation to represent musical relationships is a unique feature of Schenker's work". [30] Schenkerian graphs are based on a "hierarchic" notation, where the size of the notes, their rhythmic values and/or other devices indicate their structural importance.