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Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
If she is a "half Venus, nude," she is a representation of the most beautiful goddess to ever exist; she is the embodiment of love, beauty, desire and ultimately, sex. During the Renaissance, beauty was equated to nakedness and the nude, for if a woman was naked she was captivating and sexually exciting to the artist and ultimately, the viewer.
Simonetta Vespucci may also be depicted in the painting by Piero di Cosimo titled Portrait of a woman, said to be of Simonetta Vespucci, which portrays a woman as Cleopatra, with an asp around her neck. Yet how closely this resembles Simonetta is uncertain, not least because it is a posthumous portrait created about 14 years after her death.
The Gallic Women: Episode from the Roman Invasion; Germania (St. Paul's Church, Frankfurt am Main) Gothic Cathedral by a River; L. List of paintings by Thomas Cole; N.
The story of their love has become "the archetypal artist–model relationship of Western tradition", [4] yet little is known of her life. Of her, Flaubert wrote, in his Dictionary of Received Ideas, "Fornarina. She was a beautiful woman. That is all you need to know." [4] [note 1]
The Kiss (German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. [3] It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". [4]