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Première rêverie (English: First Reverie), also known in English as Whisperings of Love, is a painting by nineteenth-century French artist William-Adolphe Bouguereau. The work was completed in 1889 and is held at the New Orleans Museum of Art .
Amor Vincit Omnia ("Love Conquers All") in Latin, known in English by a variety of names including Amor Victorious, Victorious Cupid, Love Triumphant, Love Victorious, or Earthly Love is a painting by the Italian Baroque artist Caravaggio.
The Love Embrace of the Universe, the Earth (Mexico), Myself, Diego, and Señor Xolotl is a 1949 painting by Frida Kahlo. Created in Mexico, the 70 cm x 60.5 cm painting was painted with oil on Masonite. It was featured on the reverse of the Series F $500 peso banknote, issued in 2010.
Divine Love Conquering Earthly Love (1602–1603), showing dramatic compositional chiaroscuro. In art, chiaroscuro (English: / k i ˌ ɑːr ə ˈ s k (j) ʊər oʊ / kee-AR-ə-SKOOR-oh, - SKURE-, Italian: [ˌkjaroˈskuːro]; lit. ' light-dark ') is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole ...
The overall qualities that the honeysuckle plant symbolized was the idea of lasting pleasure; it also had meanings of steadfastness and permanence. This became a typical symbol found in paintings in the time of Rubens. [7] The Garden of Love was a popular literary concept and symbol around the same time that the painting was created.
Love and Psyche or Cupid and Psyche is an 1817 painting by Jacques-Louis David, now in the Cleveland Museum of Art. It shows Cupid and Psyche . It was produced during David's exile in Brussels , [ 1 ] for the patron and collector Gian Battista Sommariva .
The first version of the painting is called Divine Love Overcoming Profane Love and was painted in the year 1602. The painting is held in the German art museum, Gemäldegalerie, in Berlin. [3] It is unknown why Baglione painted two versions of this painting; the first version was painted for Cardinal Benedetto Giustiniani.
The two paintings on the wall are also significant. The lower painting is of a stormy sea, a metaphor for tempestuous love. [citation needed] Above it is a landscape painting of a traveler on a sandy road. This may refer to the absence of the man who is writing to the lady. [2] Love Letter remains the only one of Vermeer's works to incorporate ...