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The interior shutters were recreated. Given the difficulty of restoring the eighteenth-century decor in the delicate tones on a water-green background, [ 27 ] which were known in principle but whose distribution remained unknown, the decision was taken to retain the gilding, albeit dissonant, added in the following century.
By 1932 nearly one in three homes in America had French Provincial design elements.The style fell out of favor in the 1930s, [6] but had a resurgence in the 1960s. [1] In the United States architect Frank J. Forster promoted the style. He was recognized by his peers as a master of French provincial architecture in 1927, 1928, and 1929. [6]
Pairs of French doors on either side of the projecting vestibule have wooden shutters. [1] Brick walls divide the interior into four rooms. The two front rooms share a back-to-back fireplace. French doors provide assess between rooms and onto the verandah. [1]
By 1770, the basic French Colonial house form evolved into the briquette-entre-poteaux (small bricks between posts) style familiar in the historic areas of New Orleans and other areas. These homes featured double-louvred doors, flared hip roofs, dormers, and shutters. [5]
On the northern wall, multi-paned French doors open out to a small semi-circular "Juliet" balcony. These doors are surrounded with raised rendered decoration similar to that around the front entry door. Windows throughout the house are generally multi-paned timber sash and casement windows and most have external timber louvre shutters. [1]
The terrace can be accessed through French doors from both the living room and sunroom. The living room was designed to reflect English country houses c. 1650, during the Stuart period. The room was designed by Roy Terwilliger, an interior designer with Marshall Field & Company in Chicago and May Ellwood's cousin. [7]