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At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [127] Prominent jazz, folk or rock performers, such as Louis Armstrong , Duke Ellington , Miles Davis , and Bob Dylan have performed significant blues recordings.
Morton was a crucial innovator in the evolution from the early jazz form known as ragtime to jazz piano, and could perform pieces in either style; in 1938, Morton made a series of recordings for the Library of Congress in which he demonstrated the difference between the two styles. Morton's solos, however, were still close to ragtime, and were ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The smallest pitch difference between notes (in most Western music) (e.g. F–F#). Jazz, blues, and various non-Western musics use quarter tones, a smaller subdivision of pitch. session musician, session player, or session man. In jazz and popular music, this refers to a highly skilled, experienced musician who can be hired for recording sessions.
The Original Dixieland Jazz Band, from the original 1918 promotional postcard while the band was playing at Reisenweber's Cafe in New York City.Shown are (left to right) Tony Sbarbaro (a.k.a. Tony Spargo) on drums; Edwin "Daddy" Edwards on trombone; D. James "Nick" LaRocca on cornet; Larry Shields on clarinet, and Henry Ragas on piano.
Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. [4] [5] [6] The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. [1] Although popular music sometimes is known as "pop music", the two terms are not interchangeable. [7]
During the 1930s, a hybrid style between Kansas City jazz and big band was the most popular form of jazz music in the United States, often being played in popular venues and ballrooms. [17] In 1936, Kansas City's influence overtly transferred to the national scene, when record producer John Hammond discovered Count Basie on his car radio ...