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An emulsion lift, or emulsion transfer, is a process used to remove the photographic emulsion from an instant print. The emulsion can then be transferred to another material, such as glass, wood or paper. [1] The emulsion lift technique can be performed on peel-apart film and Polaroid Originals integral film, but not on Fujifilm Instax film ...
Xerox art (sometimes, more generically, called copy art, electrostatic art, scanography or xerography) is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a photocopier and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or ...
The practice that created dye diffusion transfer prints was first introduced by Edwin H. Land in 1947, who called the technique the Polaroid-Land process. These initial prints were made in sepia tone, and as chemistry progressed, true black and white prints were launched by 1950, and color prints followed in 1963. [ 2 ]
In 1947 Edwin H. Land introduced the Polaroid-Land process. [4] The first instant films produced sepia tone photos. [5] A negative sheet is exposed inside the camera, then lined up with a positive sheet and squeezed through a set of rollers which spread a reagent between the two layers, creating a developing film "sandwich".
One market niche Polaroid promoted was the field of industrial testing, where the camera would record, for example, the destruction of a pipe under pressure. This type of use was moderately price-insensitive, with the ability to get the images quickly (thus reducing wasted crew time) a very positive selling feature.
Polaroid Type 55 (like all Type 50 series film) requires a Polaroid Model 545 Film Packet Back. This is mounted onto the back of a camera, usually a large format 4x5 inch type, in place of a conventional film carrier. A self-contained waterproof transparent sleeve containing positive and negative film sheets and a small reservoir of reagent gel ...