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Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
Le Tallec's pieces without these marks are likely to be produced between 1930 and 1941. Incrementation of the dating system was done every six-month period from 1941 to 1991, then every year since. By 1978, date of the transfer of the atelier from Belleville to rue de Reuilly in Paris, the date mark starts by R (for Reuilly), then the letter.
The Bradley & Hubbard Manufacturing Company (1852–1940) was formed in Meriden, Connecticut, and over the years produced Art Brass tables, call bells, candlestick holders, clocks, match safes, lamps, architectural grilles, railings, etc. Overall the company patented 238 designs and mechanical devices. "By the 1890s, the Bradley and Hubbard ...
Another type of mark is found on glass baskets. Where the glass handles of the baskets are attached to the base of the basket a stamp is made. [9] Each handler had a specific pattern to help identify which handler attached the handle. [9] The marks began in the 1950s and were instituted by Frank M. and Bill Fenton. [9]
Westmoreland was known to use primarily two marks on their products. The first mark was a "W" found inside of a Keystone which can be found from the period of 1910 through the mid 1940s. The second mark, which is the more commonly known by collectors and dealers, is the intertwined W and G that Westmoreland began to use in 1946 on most of the ...
Here's how to identify antique and vintage ceramics and porcelain. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290-4726 more ways to ...
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In the 1980s, after watching a salvage operation, Bob Rosenzweig started the reproduction and selling of his faux-antique bulbs. [9] These vintage-style light bulb reproductions were sold mostly to collectors and prop houses, and continued until the turn of the 21st century when new regulations banned low-efficiency lighting in many countries.