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In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach , who wrote 46 (with a 47th unfinished ) examples of the form in his Orgelbüchlein , [ 1 ] along with multiple ...
Prelude and Fugue in C major 414*-326 - Prelude and Fugue in C minor 414bis*--- Prelude and Fugue in D major 415--- Prelude and Fugue in D minor 416: 228: 156 - Prelude and Fugue in E minor (no. 1) 417-214 (fugue) - Prelude and Fugue in E minor (no. 2) (the prelude is a transposition of P.406)
Music is often played at wedding celebrations, including during the ceremony and at festivities before or after the event. The music can be performed live by instrumentalists or vocalists or may use pre-recorded songs, depending on the format of the event, traditions associated with the prevailing culture and the wishes of the couple being married.
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern.Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service (or Eucharist) and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
This article lists the fugal works of Johann Sebastian Bach, defined here as the fugues, fughettas, and canons, as well as other works containing fugal expositions but not denoted as fugues, such as some choral sections of the Mass in B minor, the St Matthew Passion, the St John Passion, and the cantatas.
Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre: [ 46 ] Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas ; Vol. 41: Varia)