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Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Violin Concerto No. 1 in F major, opus 69 (before 1934) Violin Concerto No. 2 in G major, opus 86 (before 1943) Arthur Somervell. Violin Concerto in G minor (1930) Vladimír Sommer. Violin Concerto (1950) Leo Sowerby. Violin Concerto in G major (1913, rev. 1924) Louis Spohr. 15 violin concertos and other works for violin and orchestra; Charles ...
There are thousands of kid-friendly songs out there to spice up your rainy days and roadtrips. Our list of the best of the best contains a decent dose of Disney mixed with some recent pop anthems.
Lindsey Stirling (violin pop, electro, dance-pop) Dinesh Subasinghe (pop, Music of Sri Lanka, Baila, Celtic, Chinese, Buddhist music, rock, folk) Alicia Svigals (klezmer) Dave Swarbrick (British/Celtic folk and folk/rock) Sam Sweeney (British/Celtic folk and folk/rock – Kerfuffle, Bellowhead, Leveret, Made in the Great War [4])
Shestock/Getty Images. Rom-coms are great—but when you’re really in need of mental stimulation, a documentary that takes a deep dive on a subject of interest can’t be beat.. 27. Read a Book ...
Nielsen wrote music in many genres, notably symphonies, concertos and choral music, but also operas and incidental music, chamber music, solo works for violin, piano and organ as well as a considerable number of songs. [1]
Chamber music: 1907–1909: Sonata: for violin and piano: in one movement: Rebecca Clarke Estate Chamber music: 1908–1909: Sonata: for violin and piano: Rebecca Clarke Estate Chamber music: 1909: Lullaby: for viola and piano: Oxford University Press Chamber music: 1913: Lullaby (on an ancient Irish tune) for viola and piano: Oxford University ...
In 2006, The Washington Post characterized Salerno-Sonnenberg as a "fiercely original, deeply emotive violinist". Over the 25 years she had already been concertizing, "her playing, always mercurial and exciting but occasionally a little scattershot, has become positively reliable, both musically and technically, without losing any of the wild electricity that always set her apart."