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Digital Sound Factory is a sound design company that creates sound libraries, known as SoundFont libraries, for playback on synthesizers and computers compatible with Steinberg Cubase, Cakewalk Sonar, Reasonstudios, Steinberg Halion, Native Instruments Kontakt, Apple GarageBand, Apple Logic, Ableton Live, GenieSoft Overture, Finale, Creative Labs Audigy/X-Fi, E-MU Systems EmulatorX/Proteus X ...
Kontakt Player is a free, feature-limited version of Kontakt that functions as a virtual instrument for sample libraries, often with a specialized GUI with graphics and controls specific to that library, without the expense and extensive editing capabilities of the full version of Kontakt.
Herbert Tucmandl during first tests for the Vienna Symphonic Library.(2004) The company was founded in Vienna in October 2000 by Herbert "Herb" Tucmandl. [2] In the 1990s, Tucmandl, a former cellist (as a substitute member with the Vienna Philharmonic, amongst others), later cameraman, director and composer used some of the available first-generation sample libraries for the creation of his ...
NI Massive, Kontakt (software), B4, Electrik Piano, Guitar Rig 2 (Native Instruments) OrangeVocoder ; SoundFont (Integrates synthesized/sampled MIDI files with recorded music) MachFive, Symphonic Instrument (Mark of the Unicorn)
The company runs their own record label, SARecordings, [5] to offer recordings using Spitfire Audio products by selected composers, such as Alev Lenz's third studio album 3, [6] which was the label's first release. Additionally, Spitfire Audio has announced plans for a series of unique sample libraries to be released in conjunction with their ...
Companies such as Alesis, Yamaha and Roland used the sampling in their sound libraries, expansion boards, electronic keyboards and drum modules. The result was the first vintage instrument sample library, created by Kerzner in 1991 and known as "Vintage Keyboards and Classic Synths". [1] In 1996, Kerzner founded Sonic Reality.
A music library contains music-related materials for patron use. Collections may also include non-print materials, such as digitized music scores or audio recordings . Use of such materials may be limited to specific patron groups, especially in private academic institutions .
Fantasy for piano and orchestra on twelve notes from "non si pasce di cibo mortale chi si pasce di cibo celeste" from the second act of Mozart's Don Giovanni; Concerto soiree for piano and orchestra; Concerto in E minor for piano and orchestra (piccolo mondo antico) Concerto in C major for piano and orchestra; Albert Roussel. Concerto in C, Op ...