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Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s. [ 1 ] [ 2 ]
Considered a landmark of avant-garde cinema, [1] it was filmed over one week in December 1966 and edited in 1967, [2] and is an example of what film theorist P. Adams Sitney describes as "structural film", [3] calling Snow "the dean of structural filmmakers."
Four main techniques that Sitney identified for structural film are: fixed camera position; flicker effect; re-photography off the screen; and loop printing. These techniques were implemented by experimental filmmakers in the 1960s to create cinema "in which the shape of the whole film is pre-determined and simplified". [7]
Remedial Reading Comprehension forms part of the structural film movement of the 1960s and 70s, in that it considers "film itself as subject matter, its basic structures rather than its actual physical presence." [4] The film opens with a woman dreaming about an auditorium of people, who are sitting down as though about to watch a movie. [3]
Arnulf Rainer is a 1960 Austrian experimental short film by Peter Kubelka, and one of the earliest flicker films. [1] The film alternates between light or the absence of light and sound or the absence of sound. Since its May 1960 premiere in Vienna, Arnulf Rainer has become known as a fundamental work for structural film.
The film consists of a single shot that begins panning along a picket fence. As the camera continues to pan, red flowers on the fence are seen. The film ends after the camera angles upward to show a horizontal telephone wire and, finally, a blue sky. It uses "All My Life" by Ella Fitzgerald as its soundtrack. [1]
T,O,U,C,H,I,N,G is a 12-minute short film directed by Paul Sharits in 1968. [1] It uses many of the strategies characteristic of the structural film movement, including a static frame, flicker effects, flash frames and continual audio and visual repetition. The audio track consists exclusively of the filmmaker uttering the word "destroy" over ...
Structural film Weekend: Jean-Luc Godard: Mireille Darc, Jean-Pierre Léaud, Jean Yanne: France You're Human Like the Rest of Them: B. S. Johnson: William Hoyland: United Kingdom 1968: 2001: A Space Odyssey: Stanley Kubrick: Keir Dullea, Gary Lockwood: United Kingdom United States Alaska: Dore O. United States Around Perception (Autour de la ...