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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Eddie Muller (born October 15, 1958) is an American author and the founder and president of the Film Noir Foundation. He is known for his books about the film noir genre, and is the host of Noir Alley on Turner Classic Movies. [3]
Laura is a 1944 American film noir produced and directed by Otto Preminger. It stars Gene Tierney and Dana Andrews , along with Clifton Webb , Vincent Price , and Judith Anderson . The screenplay by Jay Dratler , Samuel Hoffenstein , and Betty Reinhardt is based on the 1943 novel Laura by Vera Caspary .
Road House is a 1948 American film noir drama film directed by Jean Negulesco, with cinematography by Joseph LaShelle. The picture features Ida Lupino, Cornel Wilde, Celeste Holm and Richard Widmark. [2] The drama tells the story of Lily Stevens (Lupino) who takes a job as a singer at a roadhouse—complete with a bowling alley. When Lily ...
In a Lonely Place is a 1950 American film noir directed by Nicholas Ray [2] and starring Humphrey Bogart and Gloria Grahame, produced for Bogart's Santana Productions.The script was written by Andrew P. Solt from Edmund H. North's adaptation of Dorothy B. Hughes' 1947 novel of the same name.
No Way Out is a 1950 American crime drama film noir [4] directed by Joseph L. Mankiewicz and starring Sidney Poitier in his film debut, alongside Richard Widmark, Linda Darnell and Stephen McNally. The film centers on an African American doctor who confronts the racism of a poor slum after he treats a racist white criminal.
Murder by Contract is a 1958 American film noir crime film directed by Irving Lerner. Academy Award-nominated screenwriter Ben Maddow did uncredited work on the film. Centering on an existentialist hit man assigned to kill a woman, the film is often praised for its spare style [1] and peculiar sense of cool.