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Frame zither is a class of musical instrument (subset of zither) within the Hornbostel-Sachs classification system for a type of simple chordophone (stringed instrument), in which the body of the instrument is made from a frame. [1] Frame zithers are musical instruments in which strings are strung across an open frame. [2]
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the madrigal of the Renaissance and early Baroque , with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400.
2 Chamber music. 3 External links. ... Download as PDF; Printable version; ... This is a list of pages with repertoire for string instruments. Solo instruments. Violin:
Concerted madrigal is a madrigal music style in which any number of voices combine with instruments, whether just basso continuo or basso continuo and others. The development of this style was one of the defining features of the beginning of the Baroque musical era.
The instrument may have a relationship with the mythological yali, the word for which (யாழி) is linguistically similar to the word for this arched harp (முகம்). Whatever relationship the words may or may not have linguistically, some researchers believe the mythological yali was carved into the tip of the yazh harp's neck. [ 3 ]
The most common way to represent the string tunings of many instruments is by a chord with all strings open. For instruments with many closely tuned strings, this is impractical, and for those with reentrant tunings it is positively misleading, so an arpeggio style may be used instead, spreading the string tunings. Recognising this, some ...