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The Fournier scale: two inches in total, divided into four half-inches, the medium intervals are one line (1 ⁄ 12 inch), and the smallest intervals are 1 ⁄ 36 inch; no intervals for the point is given, though. Fournier printed a reference scale of 144 points over two inches; however, it was too rough to accurately measure a single point. [11]
The conversion did not happen, though. The Didot point was metrically redefined as 1 ⁄ 2660 m (≈ 0.376 mm) [citation needed] in 1879 by Berthold. The advent and success of desktop publishing (DTP) software and word processors for office use, coming mostly from the non-metric United States, side stepped this metrication process in typography.
Cascading Style Sheets (CSS) defined by the World Wide Web Consortium use pc as the abbreviation for pica (1 ⁄ 6 of an inch), and pt for point (1 ⁄ 72 of an inch). [3] The pica is also used in measuring the font capacity and is applied in the process of copyfitting. [4] The font length is measured there by the number of characters per pica ...
For example, "agate" and "ruby" used to be a single size "agate ruby" of about 5 points; [2] metal type known as "agate" later ranged from 5 to 5.8 points. The sizes were gradually standardized as described above. [3] Modern Chinese typography uses the following names in general preference to stating the number of points.
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The traditional typographic units are based either on non-metric units, or on odd multiples (such as 35 ⁄ 83) of a metric unit.There are no specifically metric units for this particular purpose, although there is a DIN standard sometimes used in German publishing, which measures type sizes in multiples of 0.25 mm, and proponents of the metrication of typography generally recommend the use of ...
In typography, the body height or point size refers to the height of the space in which a glyph is defined. The metal sort: b is the body or shank, c is the body height or font size. Originally, in metal typesetting, the body height or the font (or point) size was defined by the height of the lead cuboid on which the actual font face is moulded.
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