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The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
[19] Theologian and author Arthur A. Cohen, in The Myth of the Judeo-Christian Tradition, questioned the theological validity of the Judeo-Christian concept and suggested that it was essentially an invention of American politics, while Jacob Neusner, in Jews and Christians: The Myth of a Common Tradition, writes, "The two faiths stand for ...
In Judaism and Christianity, the tree of life (Hebrew: עֵץ הַחַיִּים, romanized: ‘ēṣ haḥayyīm; Latin: Lignum vitae) [1] is first described in chapter 2, verse 9 of the Book of Genesis as being "in the midst of the Garden of Eden" with the tree of the knowledge of good and evil (עֵץ הַדַּעַת טוֹב וָרָע; Lignum scientiae boni et mali).
The 2006 Darren Aronofsky film The Fountain features the Judeo-Christian tree of life as a major plot element in its non-linear narrative. In Central America during the Age of Discovery , it is the sought-after object of a Spanish conquistador , who believes its gift of eternal life will free Spain and its queen from the tyranny of a religious ...
Cousland argues that the Infancy Gospel may have been originally written for a primarily pagan audience, [104] noting that the Greeks and Romans told stories about their gods' miraculous doings as children [105] and that miracle stories were often instrumental in converting pagans to Christianity.
Christian mythology directly inherited many of the narratives from the Jewish people, sharing in common the narratives from the Old Testament. Islamic mythology also shares many of the same stories; for instance, a creation-account spaced out over six periods, the legend of Abraham , the stories of Moses and the Israelites , and many more.
[39] [40] [41] A number of scholars have connected the Christian story of the crucifixion at Golgotha with this theme of a cosmic center. In his Creation Myths of the World, David Leeming argues that, in the Christian story of the crucifixion, the cross serves as "the axis mundi, the center of a new creation". [39]
In Christian theology, the same term is used to refer to the gap or the abyss created by the separation of heaven and earth. In Norse mythology, Ginnungagap (old Norse: [ˈɡinːoŋɡɑˌɡɑp]; "gaping abyss", "yawning void") is the primordial void mentioned in the Gylfaginning, the Eddaic text recording Norse cosmogony.