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  2. List of ragas in Hindustani classical music - Wikipedia

    en.wikipedia.org/wiki/List_of_ragas_in...

    This is a list of various Ragas in Hindustani classical music. There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many ...

  3. Category:Hindustani ragas - Wikipedia

    en.wikipedia.org/wiki/Category:Hindustani_ragas

    This list may not reflect recent changes. List of ragas in Hindustani classical music; A. Abhogi; Adana (raga) Amritvarshini (raga) Asa (raga) Asavari; B.

  4. Raga - Wikipedia

    en.wikipedia.org/wiki/Raga

    A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]

  5. Kalyan (thaat) - Wikipedia

    en.wikipedia.org/wiki/Kalyan_(thaat)

    The Kalyan Thaat consists of an important group of early afternoon, late evening, early night, and early morning ragas. Characterised by the Teevr Madhyam (M') in the stead of the standard Shuddh Madhyam of the Bilawal Thaat, the name of this Thaat literally means good luck/ fortune (कल्याण). Raags of this Thaat are considered to be ...

  6. List of Janya ragas - Wikipedia

    en.wikipedia.org/wiki/List_of_Janya_ragas

    Melakarta Ragas Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the ...

  7. Asavari (thaat) - Wikipedia

    en.wikipedia.org/wiki/Asavari_(thaat)

    Raga Asavari is full of tyag, the mood of renunciation and sacrifice as well as pathos. It is best suited for late morning. It is best suited for late morning. However important evening/night raga-like Darbari and Adana also use notes of Asavari thaat with different styles, stress points and ornamentation.

  8. Gara (raga) - Wikipedia

    en.wikipedia.org/wiki/Gara_(raga)

    Both ragas i.e. raga Jaijaiwanti and raga Gara, have the same svaras. Gara is a rare raga. [5] It is rendered in the late evening. [2] The raga uses all the seven notes, six in the ascent and seven in the descent. Therefore, the Jati of the raga is Shaadav-Sampurna. While some say that seven svaras are played in the ascent and seven in the descent.

  9. Category:Ragas - Wikipedia

    en.wikipedia.org/wiki/Category:Ragas

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