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However, the monotony is broken once the captain announces that they are approaching their destination, Iwo Jima, described as "some rock in between the devil and the Dutch East Indies". The rest of the film is devoted to authentic color footage of the battle of Iwo Jima. No punches are pulled in its presentation of the event; the narrator ...
Raising the Flag on Iwo Jima, by Joe Rosenthal of the Associated Press. Raising the Flag on Iwo Jima (Japanese: 硫黄島の星条旗, Hepburn: Iōtō no Seijōki) is an iconic photograph of six United States Marines raising the U.S. flag atop Mount Suribachi during the Battle of Iwo Jima in the final stages of the Pacific War.
Iwo Jima is a small volcanic island south of the Japanese homeland. The base took over almost all of the 21 km 2 (8 sq mi; 5,189 acres) of land. Seabee built a road to the top of the highest peak, 161 m (528 ft), on Iwo Jima, Mount Suribachi on the south point of the island. Most of the remainder of the volcanic island is a flat plateau.
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Many magazines ran the photo on their covers. After the battle for Iwo Jima was over and won, the photo was used for posters in war bond drives through over 30 cities from May 11 through July 4, 1945, which raised $26.3 billion. [4] Rosenthal's photograph became an enduring icon.
Witty, like some others, compared it to Joe Rosenthal’s AP photo of U.S. Marines raising the American flag on Iwo Jima in World War II — an image so memorable to so many that it inspired a ...
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U.S. Marine cinematographers Bill Genaust (left) and Atlee S. Tracy on Iwo Jima (February 24, 1945) Portion of Genaust's footage of the second flag-raising on Iwo Jima used in the 1945 film To the Shores of Iwo Jima Genaust (left, with motion picture camera) and Joe Rosenthal capturing what became known as the "Gung Ho" image of the Marines ...