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Jonathan Coulton, who provided the song "Still Alive" for the first Portal, was asked to compose the game's final credits song, "Want You Gone".. Jonathan Coulton's song "Still Alive", which is sung by GLaDOS (voiced by Ellen McLain) over Portal ' s end credits, was considered a large part of Portal's success; in designing Portal 2, Valve desired to incorporate more music into the game ...
Two Valve developers commissioned a song by Coulton, a fan of Valve's Half-Life series, which is set in the same universe as Portal. The song was released on The Orange Box Soundtrack on December 21, 2007, along with an exclusive vocal mix not heard in the game. [1] The song plays after GLaDOS is defeated by protagonist Chell. Its lyrics, which ...
Portal 2 is a 2011 puzzle-platform game developed by Valve for Windows, macOS, Linux, PlayStation 3, and Xbox 360. The digital PC versions are distributed online by Valve's Steam service, while all retail editions are distributed by Electronic Arts. A port for the Nintendo Switch was released as part of the Portal: Companion Collection in June ...
Exclaim! described the song as a "sombre ballad that places Matt Berninger's melancholic croon atop gloomy piano chords, lush orchestral swells and some subtle percussion". [ 1 ] "Exile Vilify" (alongside other Portal 2 song " Want You Gone ") was nominated for "Best Song in a Game" at the 2011 Spike Video Game Awards .
Mike Morasky (born June 14, 1964) is an American composer, visual effects artist, director and programmer. He composed the scores for the Valve games Team Fortress 2, the Left 4 Dead series, Portal 2, Counter-Strike: Global Offensive, Half-Life: Alyx and Counter-Strike 2.
The original context of "The cake is a lie" was to convey the message that a reward is being used to motivate Chell, the player character of Portal, without any intent of delivering. Early use of the phrase among Portal fans indicated a wry state of knowing; it represented a shared experience, and a way to flag down false sources of motivation. [1]
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Filmtracks.com commented that Howard's music for The Hunger Games series started with lament in the first instalment, drama in the second and expanded to full action in the third instalment, with the score for Mockingjay – Part 2 "meanders between all three in this entry". [8]