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Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art.
The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. [1]
Klimt rejected the proposal: On 3 April 1905 he wrote to the aforementioned ministry [14] resigning his commission, wishing to keep his work, but the ministry insisted they were already property of the state. Only when Klimt threatened the removal staff with a shotgun was he able to keep his painting. [15]
The painting is now in the Österreichische Galerie Belvedere museum in the Belvedere palace, Vienna, and is widely considered a masterpiece of the early modern period. It is a symbol of Vienna Jugendstil—Viennese Art Nouveau—and is considered Klimt's most popular work. [10] 19: 1907–1908 – Danaë (oil on canvas, 77 cm x 83 cm)
Below this is a sculpture of three gorgons representing painting, sculpture, and architecture. The building has been selected to figure on the national side of the €0.50 Austrian coin . It also appears as the main motif of one of the Austrian gold collectors' coins: the 100 euro Secession commemorative coin , minted in November 2004, on the ...
A portrait by Gustav Klimt that was unseen for almost a century has sold for $32 million – the bottom end of its pre-auction estimate.. The “Portrait of Fräulein Lieser,” thought to be one ...
Leading figures included Gustav Klimt, Josef Hoffman, Koloman Moser and Otto Wagner. They are known for their painting, furniture, glass and ceramics, as well as the Secession Building the architect Joseph Maria Olbrich's designed in Vienna, and the magazine Ver Sacrum, founded by Klimt. Artists from the Berlin Secession.
The work reflects a change in Klimt's painting, with a stronger composition than previously and the painting's strictly parallel structure. [1] He chose a viewpoint from the quay by the villa, [1] from which the Schloss's cubic facade could be seen behind the lake's reflective surface through the tall pyramidal poplars.