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  2. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    The following is a list of commonly used chord progressions in music. Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.

  4. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    Rhythm changes is a common 32- bar jazz chord progression derived from George Gershwin 's " I Got Rhythm ". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II ...

  5. Chart Thai Pattana Party - Wikipedia

    en.wikipedia.org/wiki/Chart_Thai_Pattana_Party

    For the general election on 3 July 2011, Chart Thai Pattana forged an alliance with coalition partner Bhumjaithai Party. [6] The party's target was to win at least 30–35 seats [ 7 ] and it was even hopeful that it could, as the third party, propose a "reconciliation prime minister". [ 8 ]

  6. Lateralus (song) - Wikipedia

    en.wikipedia.org/wiki/Lateralus_(song)

    The syllables Maynard sings in the first verse follow the first six numbers in the pattern, ascending and descending in the sequence 1-1-2-3-5-8-5-3. "Black (1), then (1), white are (2), all I see (3), in my infancy (5). Red and yellow then came to be (8), reaching out to me (5). Lets me see (3)." In the next verse, Maynard begins with the ...

  7. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  8. 'I'm A Fitness Editor Who's Constantly Testing Resistance ...

    www.aol.com/resistance-bands-fire-muscles-better...

    Resistance Bands for Legs and Butt. If you like the idea of mini loop bands but want a durable fabric material that won't pinch your skin when working glutes, this is our top pick.

  9. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    See media help. In the standard Coltrane change cycle the ii–V–I is substituted with a progression of chords that cycle back to the V–I at the end. In a 44 piece, each chord gets two beats per change. Coltrane developed this modified chord progression for "Countdown", which is much more complex.