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The Saints; Scars; The Screamers; Sex Pistols; Sham 69; The Shapes; Shattered Faith; The Shirts; Siouxsie and the Banshees; The Sillies; Skids; Skrewdriver; The Skulls
A post punk/folk rock/gothic rock band that began as a punk rock band. New York Dolls: New York, New York, US: 1971–1976, 2004–2011: A hard rock/proto-punk/glam punk band that is often cited as one of the founding punk rock bands. The Newtown Neurotics: Harlow, Essex, England, UK: 1979–1988, 2006–present: A classic socialist punk rock ...
The leading New York punk band, the Ramones, released their debut album on 23 April 1976. Although regarded as seminal to the growth of English punk rock, and Cook and Jones being fans of the album, [67] [68] Lydon has repeatedly rejected that it influenced the Sex Pistols, claiming that they "were all long-haired and of no interest to me. I ...
Soft rock bands such as Fleetwood Mac and the Eagles also gained immense popularity, with the former’s 1977 classic Rumours becoming one of the best-selling albums of all time thanks to the ever ...
[46] [47] Their Roundhouse appearance and a club date the following night—where the band met members of the Sex Pistols and the Clash—helped galvanize the burgeoning UK punk rock scene. [3] The Flamin' Groovies/Ramones double bill was successfully reprised at the Roxy Theatre in Los Angeles the following month, fueling the punk scene there ...
The band quickly became lumped in with the growing punk rock movement. [citation needed] The band (already fixtures on the West Coast punk scene) formed alliances with mostly male punk bands such as the Ramones and the Dead Boys (via New York City's CBGB) as well as the British punk scene by hanging out with the likes of the Damned, Generation ...
This is a timeline of punk rock, from its beginnings in the 1960s to the present day.Bands or albums listed either side of 1976 are of diverse genres and are retrospectively called by their genre name that was used during the era of their release.
Buzzcocks are a punk rock band that exhibit "crisp melodies", "driving guitars" and "biting lyrics". According to Mark Deming of AllMusic , that instead of drawing on political lyrical themes, the band "brought an intense, brilliant vigor to the three-minute pop song, powered by Shelley's alternately funny and anguished lyrics about adolescence ...