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Cristina Kahlo y Calderón (7 June 1908 – 8 February 1964) was the sister of artist Frida Kahlo. [1] Frida painted a portrait of Cristina, titled Portrait of Cristina, My Sister, and Diego Rivera, Frida's husband, also portrayed Cristina Kahlo in his work. Cristina, with whom Rivera had an affair, was painted by Rivera in the nude. [1] [2]
Portrait of Alejandro Gómez Arias: Retrato de Alejandro Gómez Arias: Oil on wood, 61.5 x 41 cm Private collection, Mexico 1928 Portrait of Cristina, My Sister: Retrato de Cristina, Mi Hermana: Oil on wood, 99 x 81.5 cm Private collection, Mexico City, Mexico 1928 Sitting Girl with Duck: Niña Sentada con Pato: Oil on canvas, 100.3 x 40.3 cm
This portrait was created two years after Frida Kahlo and Diego Rivera married, and is widely considered a wedding portrait. [2] The painting shows Kahlo standing next to her husband and fellow artist, Rivera. Rivera, portrayed as a painter, holds a palette and four brushes in his right hand while Kahlo tilts her head towards him.
Raised in Madison, Wisconsin, they began taking piano lessons from their mother at the age of four. [2] Although the sisters initially practiced and performed individually, a concert presenter's request that they perform together as a duo when they were 18 highlighted their remarkable talent and marked the beginning of a preference for making ...
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Portrait of Princess Maria Christina is an oil-on-canvas painting executed c. 1790 by Élisabeth Vigée Le Brun. Vigée Le Brun had taken refuge in Naples after fleeing Paris in 1789 during the French Revolution. The portrait is now in the National Museum of Capodimonte, in Naples. [1] [2]
Yvonne dresses in white and strives to play a piece on the piano while her sister Christine contemplates the score in an accomplice way. Although Renoir does not renounce capturing natural light and colour, he is particularly interested in the modelling and drawing of the figures, wrapped in an atmosphere that does not manage to dilute the contours like Claude Monet (1840–1926), the French ...
Self-portrait holding a portrait of her sister, by Rosalba Carriera; Credit/Provider: Galleria degli Uffizi, Florence: Source: