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The Minolta X-700 is a 35 mm single-lens reflex film camera introduced by Minolta in 1981. It was the top model of their final manual-focus SLR series before the introduction of the auto-focus Minolta Maxxum 7000 .
The Minolta SR-T 101 is a 35mm manual focus SLR camera with Through-The-Lens exposure metering – TTL for short - that was launched in 1966 by Minolta Camera Co. It was aimed at demanding amateur and semi-professional photographers. The SR-T 101 stayed in production for ten years with only minor changes.
Camera Fitted with an after-market zoom lens. The Minolta XG-M was a 35mm single-lens reflex camera introduced in 1981 by Minolta of Japan. It was also known as the X-70 on the Japanese market, in which it was not available until 1982. When released, it was the top model in Minolta's XG series of consumer-grade manual focus SLRs, replacing the ...
The Canon EF-M was a manual-focus 35mm film, SLR camera which used the Canon EF lens mount. It was introduced in 1991 for export to the non-Japanese market, and was the only manual focus camera in the EF line. It was not sold as part of the EOS range; the camera's official name was Canon EF-M rather than Canon EOS EF-M.
Minolta XG-1 is a 35mm SLR film camera manufactured by Minolta between 1977 and 1984. It is the second model to appear in the XG series of cameras, succeeding the Minolta XG-E (1977). The Minolta XG-1 has gone through various renaming and redesign all throughout its production run.
The Nikon FM10 is a manual focus 35 mm film camera formerly sold by Nikon Corporation. It is of SLR design and was first available in 1995. It is normally sold in a kit that includes a Zoom Nikkor 35–70 mm f/3.5-4.8 zoom lens, although a Zoom Nikkor 70–210 mm f/4.5-5.6 zoom lens is also available.
The Konica FP-1, introduced in 1981 and discontinued in 1983, was a 35mm SLR camera with TTL metering and a large range of exchangeable optics. The camera was quite unusual: shutter speed and aperture was automatically set by the camera , with no user interaction possible. This reduced the user's workload to focusing, releasing the shutter and ...
The word Kine (cine, cinema, movie film) never appeared on the camera itself, only in the instruction manuals and advertising to distinguish it from the roll film variants. Several of its features constituted the foundation for the majority of 35mm SLR cameras produced ever since, although at this stage in a relatively primitive state. [2]