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Keening (Irish: caoineadh, pronounced [ˈkiːnʲə]) is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing , is performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is ...
[a] Another variant of the tune, commonly used in Irish and Scottish hymnals (including the Hymnbooks of the Church of Scotland), fits the 10.10.10.10 metre and is not suitable for "Lord of all Hopefulness". [4] [a] The tune has its origin as a traditional Irish tune, principally 'With my Love on the Road', [5] also known as 'The Banks of the ...
Keening (Chaointeoireacht) songs, traditional songs of lament for the dead in the Gaelic Celtic tradition, are a form of sean-nós song in Ireland. [citation needed] Songs with a detailed narrative, such as murder ballads, are far more common in traditional English language music than sean-nós songs. Themes frequently found in Gaelic music ...
"Be Thou My Vision" (Old Irish: Rop tú mo baile or Rob tú mo bhoile) is a traditional Christian hymn of Irish origin. The words are based on a Middle Irish poem that has traditionally been attributed to Dallán Forgaill.
"Morning Has Broken" is a Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune, "Bunessan". [1] English pop musician and folk singer Cat Stevens included a version on his album Teaser and the Firecat ...
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
1988 – Stór Amhrán, A Wealth of Songs from the Irish Tradition, Ossian Publications Ltd. (reprint 2007) 1993 – The nature and classification of traditional religious songs in Irish with a survey of printed and oral sources in: Music in the church, edited by Gerard Gillen & Harry White, Blackrock, Co. Dublin: Irish Academic Press.
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