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Organ music would play a large role in Lutheran music later on. Luther said that music ought to be “accorded the greatest honour and a place next to theology” due to its great importance. [20] During the Reformation, Luther did much to encourage the composition and publication of hymns, and wrote numerous worship songs in German. [21]
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
"A Mighty Fortress" is one of the best known hymns of the Lutheran tradition, and among Protestants more generally. It has been called the "Battle Hymn of the Reformation" for the effect it had in increasing the support for the Reformers' cause. John Julian records four theories of its origin: [1]
The third stanza of the eponymous chorale in Johann Sebastian Bach's setting as the final movement of his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service.
An early printing of Martin Luther's hymn "Ein feste Burg ist unser Gott" The other Reformation approach, favored by Martin Luther, produced a burst of hymn writing and congregational singing. Luther and his followers often used their hymns, or chorales, to teach tenets of the faith to worshipers.
The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant ...
Even after music was printed with the hymn texts, however, the tunes used with each hymn text have changed from time to time in Latter-day Saint hymnbooks. For example, of the twenty-six hymns in the 1985 hymnal that were included in the 1835 hymnbook, only five of the original hymns are probably still sung to their original tunes. These are:
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony)