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The book Perfecting Sound Forever: An Aural History of Recorded Music, by Greg Milner, presents the loudness war in radio and music production as a central theme. [13] The book Mastering Audio: The Art and the Science , by Bob Katz, includes chapters about the origins of the loudness war and another suggesting methods of combating the war.
The Roland Sound Canvas (Japanese: ローランド・サウンド・キャンバス, Hepburn: Rōrando Saundo Kyanbasu) lineup is a series of General MIDI (GM) based pulse-code modulation (PCM) sound modules and sound cards, primarily intended for computer music usage, created by Japanese manufacturer Roland Corporation.
The assertion is that the "analog sound" is more a product of analog format inaccuracies than anything else. One of the first and largest supporters of digital audio was the classical conductor Herbert von Karajan, who said that digital recording was "definitely superior to any other form of recording we know".
Sound power or acoustic power is the rate at which sound energy is emitted, reflected, transmitted or received, per unit time. [1] It is defined [2] as "through a surface, the product of the sound pressure, and the component of the particle velocity, at a point on the surface in the direction normal to the surface, integrated over that surface."
(The sound field very close to a sound source is called the "near-field." By "very close" is meant in the predominantly direct, rather than reflected, sound field. A near-field speaker is a compact studio monitor designed for listening at close distances (3 to 5 feet (0.9 to 1.5 m)), so, in theory, the effects of poor room acoustics are greatly ...
Tube sound (or valve sound) is the characteristic sound associated with a vacuum tube amplifier (valve amplifier in British English), a vacuum tube-based audio amplifier. [1] At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable ...