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Psalm 51, one of the penitential psalms, [1] is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God".In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50.
David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld. The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering).
The King James Version is one of the versions authorized to be used in the services of the Episcopal Church and other parts of the Anglican Communion, [182] as it is the historical Bible of this church. It was presented to King Charles III at his coronation service. [183] [184] Other Christian denominations have also accepted the King James ...
Other such duplicated portions of psalms are Psalm 108:2–6 = Psalm 57:8–12; Psalm 108:7–14 = Psalm 60:7–14; Psalm 71:1–3 = Psalm 31:2–4. This loss of the original form of some of the psalms is considered by the Catholic Church's Pontifical Biblical Commission (1 May 1910) to have been due to liturgical practices, neglect by copyists ...
The laments of the people are voiced here and their promise to sing the praises of God at all times is established. This Psalm is labeled as a song or psalm to the leader, [7] interpreted as the chief musician [10] or leader of the community. [5] The leader ends the psalm with a statement about the wicked being humbled and the righteous being ...
The Miserere, by Josquin des Prez, is a motet setting of Psalm 51 (Psalm 50 in the Septuagint numbering) for five voices. He composed it while in the employ of Duke Ercole I d'Este in Ferrara, in 1503 or 1504. [1]
Psalms 152 to 155 are additional Psalms found in two Syriac biblical manuscripts and several manuscripts of Elijah of Anbar 's "Book of Discipline", [1] first identified by the orientalist librarian Giuseppe Simone Assemani in 1759. [2] Together with Psalm 151 they are also called the Five Apocryphal Psalms of David or the "Five Syriac Psalms". [3]
In the Armenian Church, Psalm 151 is recited as part of the Matins sequence of biblical poetic material, which includes canticles from the Old and New Testaments, Psalms 51, 148–150, and 113 (numbering according to the Septuagint). The Armenian version of Psalm 151 is close to the Septuagint, with some variation.