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It includes those who are generally classed into different movements, but have created some Dadaist works. A - D. Pierre Albert-Birot (22 April 1876 – 25 July 1967)
DaDa was produced by long-time collaborator Bob Ezrin, at the time his first production with Cooper in six years since his third solo studio album Lace and Whiskey (1977), during that interim Ezrin had produced Pink Floyd's studio album The Wall (1979), with people comparing certain track's sound on DaDa to Pink Floyd. [6]
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Typical Vertical Mess as Depiction of the Dada Baargeld (1920). Johannes Theodor Baargeld was a pseudonym of Alfred Emanuel Ferdinand Grünwald (9 October 1892 – 16 or 17 August 1927), a German painter and poet who, together with Max Ernst, founded the Cologne Dada group.
Francis Picabia, Réveil Matin (Alarm Clock), Dada 4-5, Number 5, 15 May 1919 "New York Dada" refers in general to the actions and principles of a group of loosely affiliated artists involved in the production, display, distribution, and criticism of art, being produced in the years 1913 to 1923 in New York City.
Cernat believes that the first Dadaist performance took place as early as February, when the nineteen-year-old Tzara, wearing a monocle, entered the Cabaret Voltaire stage singing sentimental melodies and handing paper wads to his "scandalized spectators", leaving the stage to allow room for masked actors on stilts, and returning in clown ...
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist. He was born in Hanover, Germany, but lived in exile from 1937.. Schwitters worked in several genres and media, including Dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art.
The Dada Manifesto (French: Le Manifeste DaDa) is a short text written by Hugo Ball detailing the ideals underlying the Dadaist movement. It was presented at Zur Waag guildhall in Zürich at the first public Dada gathering on July 14, 1916. [1]