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A masculine ending and feminine ending or weak ending[1] are terms used in prosody, the study of verse form. "masculine ending" refers to a line ending in a stressed syllable. "feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined ...
Alliterative verse. The Old English epic poem Beowulf is written in alliterative verse. In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. [1] The most commonly studied traditions of alliterative verse are ...
A treatise on poetry by Diomedes Grammaticus is a good example, as this work categorizes dactylic hexameter verses in ways that were later interpreted under the golden line rubric. Independently, these two trends show the form becoming highly artificial—more like a puzzle to solve than a medium for personal poetic expression.
Alliteration. Alliteration is the repetition of syllable -initial consonant sounds between nearby words, or of syllable-initial vowels, if the syllables in question do not start with a consonant. [1] It is often used as a literary device. A common example is " P eter P iper p icked a p eck of p ickled p e pp ers," in which the "p" sound is ...
Assonance is the repetition of identical or similar phonemes in words or syllables that occur close together, either in terms of their vowel phonemes (e.g., lean green meat) or their consonant phonemes (e.g., Kip keeps capes ). [1] However, in American usage, assonance exclusively refers to this phenomenon when affecting vowels, whereas, when ...
Poetic devices. Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
The earliest Latin poems, unlike early Germanic and English poetry, do not have obligatory alliteration. Most of the fragments of the early accentual Saturnian poetry listed by Lindsay exhibit no alliteration, although some do, for example the following line, attributed to Naevius (c.270–c.201 BC), which has alliteration of M, P, and T:
Caesura. A caesura (/ sɪˈzjʊərə /, pl. caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick ( ), or two lines, either slashed (//) or upright (||). In time value, this break may vary ...