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Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
This painting is a good example of Hals' "rough style" of painting with loose brush strokes. A period copy now in the collection of the Rijksmuseum has been dated before 1626 based on an engraving, and it has been attributed variously to Hals, his brother Dirk , and Judith Leyster .
Both works share the evocative, loose and fluid brush strokes generally accepted as influenced by Velázquez's exposure to Titian during his 1629–30 and 1649–51 visits to Italy. [2] Female Figure is noted for its "restrained elegance, muted color harmonies, and the evocative poetry of the figure's parted lips and "lost" profile." [3]
The right side of the painting and the surroundings of these two large bathers show features of Renoir’s typical Impressionist style. The smaller bathers in the right background and the surrounding landscape were painted directly onto the canvas, with small, loose brush strokes. [3]
Portrait of The Regents of the Old Men's Almshouse Haarlem 18th-century copy by Wybrand Hendriks shows how much darker the painting has become over the centuries. The Regents of the Old Men's Almshouse is a regents group portrait of five regents and their servant painted by Frans Hals in 1664 for the Oude Mannenhuis in Haarlem, the Netherlands.
The painting conveys a sense of serenity that Van Gogh seeks for himself. This last painting of Tanguy is in the Musée Rodin, Paris. Père Tanguy was a Breton who was exiled and pardoned after taking part in the Paris Commune. When Vincent van Gogh knew him, he owned a small artist's supply shop. The shop was an important to the painters of ...
His style in this period was characterized by loose brush strokes, simplification of details, and the suppression of transitional tones. Adopting the current style of realism initiated by Gustave Courbet , he painted The Absinthe Drinker (1858–59) and other contemporary subjects such as beggars, singers, Romani, people in cafés, and bullfights.