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  2. The Chords (American band) - Wikipedia

    en.wikipedia.org/wiki/The_Chords_(American_band)

    The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]

  3. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    For chords, a letter above or below the tablature staff denotes the root note of the chord, chord notation is also usually relative to a capo, so chords played with a capo are transposed. Chords may also be notated with chord diagrams. Examples of guitar tablature notation: The chords E, F, and G as an ASCII tab:

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  5. Guitar tunings - Wikipedia

    en.wikipedia.org/wiki/Guitar_tunings

    The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. [44] These are called inversions.

  6. Cross tuning - Wikipedia

    en.wikipedia.org/wiki/Cross_tuning

    Cross tuning or cross-tuning (aka scordatura) is an alternative tuning used for the open strings of a string instrument.The term refers to the practice of retuning the strings; it also refers to the various tunings commonly used, or in some contexts it may refer to the AEAE fiddle tuning.

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  8. False relation - Wikipedia

    en.wikipedia.org/wiki/False_relation

    The term describes a "chromatic contradiction" [1] between two notes sounding simultaneously (or in close proximity) in two different voices or parts; or alternatively, in music written before 1600, the occurrence of a tritone between two notes of adjacent chords. [2] Ex. 1, from Ave Verum Corpus, by William Byrd. Play ⓘ

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