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The Remains (sometimes referred to as "Barry and the Remains") were a mid-1960s American garage rock group from Boston, Massachusetts, led by Barry Tashian. Although the Remains never achieved national success, they were very popular in New England, and were one of the opening acts on the Beatles ' final US tour in 1966.
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The Remains is the debut album by the American garage rock band the Remains, released on Epic Records in September 1966. Though the album was largely overlooked at the time of its original release, The Remains has since received recognition as one of the more cohesive efforts of the era.
It should only contain pages that are The Remains (band) albums or lists of The Remains (band) albums, as well as subcategories containing those things (themselves set categories). Topics about The Remains (band) albums in general should be placed in relevant topic categories .
Tashian, together with his fellow students at Boston University, [1] [2] singer/guitarist Barry Tashian, keyboardist Bill Briggs, and bassist Vern Miller, formed the band the Remains, in 1964. [3] [4] The band, in their finest day appeared on The Ed Sullivan Show. They also were one of the opening acts for The Beatles' final U.S. tour in 1966.
Peter Paul & Mary (group's official website). "Peter, Paul & Mary (inducted 1999)", Vocal Group Hall of Fame, archived from the original on March 11, 2007. Mary Travers discography at Discogs; Adams, Cindy (June 9, 2006), "Peter, Paul and the New Mary", The New York Post, archived from the original (abstract) on February 8, 2012
The Ramainz were an American tribute band to the Ramones.Its members included Dee Dee Ramone, Marky Ramone, Dee Dee's wife Barbara Zampini, and C. J. Ramone. [1] They were known as The Remains until 1999 but had to change the spelling due to another band already using the name.
"Be Without You" was released to universal acclaim. Pitchfork ' s Clover Hope found that on "Be Without You," Blige "is practically levitating. It’s a stunning vocal showcase amid a litany of lyrical vows that capture the ecstasy of the honeymoon phase," [3] while Alexis Petridis from The Guardian called it a "wonderful song: luscious, dramatic, with Blige bringing her patent edge."