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The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction". [ 1 ] [ 2 ] Later pedals like the Pro Co Rat and Ibanez Tube Screamer have achieved iconic status among guitarists and are a key element in many players' tones.
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave , resulting in a heavily distorted or fuzzy sound.
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
The MXR Distortion + ("Distortion Plus") is a distortion pedal originally designed in the 1970s by MXR Innovations. The pedal uses a single op-amp and a pair of germanium diodes to ground (parallel-push) for clipping in a very simple configuration with only Output and Distortion controls, no tone control; the pedal uses no discrete transistors .
Octave pedals can be used in conjunction with fuzz (see octafuzz) and/or distortion. It can be used on guitar to make it sound more aggressive (such as the lead-in solo by Prince on When Doves Cry) or sound like a bass. The song Seven Nation Army by The White Stripes features an octave pedal on electric guitar, simulating the sound of a bass. [1]
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
Some effect pedals used with electromechanical keyboards such as the Fender Rhodes electric piano or digital keyboards respond to loudness and so, indirectly, to key velocity. Examples include overdrive pedals, which produce a clean sound for softer notes, and a distortion effect for louder notes—and fixed wah-wah pedals that filter the audio ...