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Definitions. Docetism is broadly defined as the teaching that claims that Jesus' body was either absent or illusory. [11] The term 'docetic' is rather nebulous. [12][13] Two varieties were widely known. In one version, as in Marcionism, Christ was so divine that he could not have been human, since God lacked a material body, which therefore ...
Objective vision theory. Hans Grass (1964) proposed an "objective vision hypothesis," in which Jesus' appearances are "divinely caused visions," showing his followers that his resurrection "was a spiritual reality." [ 36 ] Jesus' spirit was resurrected, but his body remained dead, explaining the belated conversion of Jesus' half-brother James.
Belief that Jesus' physical body was an illusion, as was his crucifixion; that is, Jesus only seemed to have a physical body and to physically die, but in reality, he was incorporeal, a pure spirit, and hence could not physically die. Tendencies existed in the 1st century, but it was most notably embraced by Gnostics in subsequent centuries.
This device allowed van Eyck to create a greater illusion of depth with more complex and unusual spatial arrangements. [3] In the Crucifixion panel, he uses different indicators to show the relative closeness of particular groupings of figures to Jesus. Given the size of the mourners in the foreground relative to the crucified figures, the ...
Year. 1661–1679. (1661–1679) Type. Ceiling Fresco. Location. Il Gesù, Rome. Triumph of the Name of Jesus is a 17th-century fresco painting by Giovanni Battista Gaulli. [1] The fresco occupies the nave of the Church of the Gesù in Rome, with both fresco painting and stucco molding.
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process. After reducing his jaw ...
The substitution hypothesis or twin hypothesis states that the sightings of a risen Jesus are explained not by physical resurrection, but by the existence of a different person, a twin or lookalike who could have impersonated Jesus after his death, or died in the place of Jesus on the cross. It is a position held by some Gnostics in the first ...
Brancacci Chapel, Florence. The Tribute Money is a fresco by the Italian Early Renaissance painter Masaccio, located in the Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Painted in the 1420s, it is widely considered among Masaccio's best work, and a vital part of the development of Renaissance art. [1][2]