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Eugène Ionesco (/ j oʊ ˈ n ɛ s k oʊ /; French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
Victims of Duty (French: Victimes du Devoir) is a one-act play written in 1953 by French-Romanian playwright Eugène Ionesco. An early work, it has not received the notoriety of his other works. This play is in the Theatre of the Absurd style, of which Ionesco was a pioneer.
Theatrical debates of the 1950’s and 60’s began with the avant-garde theatre of Samuel Becket, Eugene Ionesco, Arthur Adamov, Jean Genet and Bertolt Brecht.Performance techniques and theories of alienation or the distancing effect that began with Erwin Piscator and epic theatre became part of this debate.
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The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. [1] Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and ...
The play contains many of Ionesco's common themes, and the characters are typical of his plays. For example, the couple's interaction is similar in many ways to the interaction between the Old Man and the Old Woman in The Chairs; the conflicting background story of the corpse parallels the old couple's conflicting stories about their children.
However, he ultimately settled for a cheaper solution, the cycle. Ionesco told Claude Bonnefoy [fr; ro] in an interview, "I wanted to give a meaning to the play by having it begin all over again with two characters. In this way the end becomes a new beginning but, since there are two couples in the play, it begins the first time with the Smiths ...
His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. His middle period comprised plays that explored the psychology of maturing, marriage and sexual relationships.