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"Contemplations" is a 17th-century poem by English colonist Anne Bradstreet. The poem's meaning is debated, with some scholars arguing that it is a Puritan religious poem while others argue that it is a Romantic poem.
Bradstreet feels guilty that she is hurt from losing earthly possessions. It is against her belief that she should feel this way; showing she is a sinner. Her deep puritan beliefs brought her to accept that the loss of material was a spiritually necessary occurrence. She reminds herself that her future, and anything that has value, lies in heaven.
Anne was born in Northampton, England in 1612, the daughter of Thomas Dudley, a steward of the Earl of Lincoln, and Dorothy Yorke. [6]Due to her family's position, she grew up in cultured circumstances and was a well-educated woman for her time, being tutored in history, several languages, and literature.
Title page of second (posthumous) edition of Anne Bradstreet's poems, 1678. As England's contact with the Americas increased after the 1490s, English explorers sometimes included verse with their descriptions of the New World up through 1650, the year of Anne Bradstreet's "The Tenth Muse", which was written in America (most likely in Ipswich, Massachusetts or North Andover, Massachusetts) and ...
The Tenth Muse, lately Sprung up in America [1] is a 1650 book of poetry by Anne Bradstreet.It was Bradstreet's only work published in her lifetime. Published purportedly without Bradstreet's knowledge, Bradstreet wrote to her publisher acknowledging that she knew of the publication.
Anne Bradstreet provided the first published meditations purely based on the senses, celebrating nature's beauties as the creation of God. Using the analogy of Nature as God's second book, poetic meditations gradually secularized, replacing the old allegoric technique with a more symbolic reading of nature and affirming the self-reliant ...
When as thy love hath cast his utmost sum, Call’d to that audit by advis’d respects; Against that time when thou shalt strangely pass, And scarcely greet me with that sun, thine eye, When love, converted from the thing it was, Shall reasons find of settled gravity; Against that time do I ensconce me here Within the knowledge of mine own desert,
The poem begins with the act of looking in a mirror, and the act of noticing the passage of time – which operate exactly as a memento mori: the medieval tradition of contemplating one's own mortality. The poem turns from that and ends with a model of creative productivity through observation, contemplation and writing — in a collaboration ...