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NanoArt is a novel art discipline related to science and technology. It depicts natural or synthetic structures with features sized at the nanometer scale, which are observed by electron or scanning probe microscopy techniques in scientific laboratories. The recorded two or three dimensional images and movies are processed for artistic appeal ...
The Swiss architect Le Corbusier, famous for his contributions to the modern international style, centered his design philosophy on systems of harmony and proportion. Le Corbusier's faith in the mathematical order of the universe was closely bound to the golden ratio and the Fibonacci number , which he described as "rhythms apparent to the eye ...
Fine art: Photographs and paintings of mathematical models in Dada and Surrealist art [37] Naderi Yeganeh, Hamid: 1990– Fine art: Exploration of tessellations (resembling rep-tiles) [38] [39] Pacioli, Luca: 1447–1517: Fine art: Polyhedra (e.g. rhombicuboctahedron) in Renaissance art; [19] [40] proportion, in his book De divina proportione ...
Hurwitz, in collaboration with is partner, Yifat Davidoff, produces work focuses on the aesthetics of art in the context of human perception. His early body of sculpture was discovered by Estelle Lovatt during 2011 in an article for Art of England Magazine: "Thinning the divide gap between art and science, Hurwitz is cognisant of the two being holistically co-joined in the same way as we are ...
The exhibition poster is based on Hand with Reflecting Sphere, 1935, which shows Escher in his house reflected in a handheld sphere, thus illustrating the artist, his interest in levels of reality in art (e.g., is the hand in the foreground more real than the reflected one?), perspective, and spherical geometry.
Numbers 1-0 is a public artwork by the American artist Robert Indiana, located at the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base.
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Portrait of the Dwarf Nano Morgante is a 1552 double-sided painting by the Italian Mannerist painter Bronzino offering front and back views on either side of the canvas of Nano Morgante (nickname of Braccio di Bartolo) the famed court dwarf of Cosimo I de' Medici, Grand Duke of Tuscany who is also immortalized in Valerio Cioli's Fontana del Bacchino at the Boboli Gardens in Florence.