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Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
Kirtles were part of fashionable attire into the middle of the 16th century, and remained part of country or middle-class clothing into the 17th century. [ citation needed ] Kirtles began as loose garments without a waist seam, changing to tightly fitted supportive garments in the 14th century .
The Kyrtill is a costume for women, designed by the artist Sigurður Guðmundsson in the 19th century. It was designed to look like Viking Age costumes. It however incorporates a hat similar to the one on the skautbúningur. While Sigurður's vision of the Viking Age costume remains popular, costumes designed to more closely resemble ...
Bunad is a Norwegian umbrella term encompassing a range of both traditional rural clothes mostly dating to the 19th and 18th centuries as well as 20th-century folk costumes. In its narrow sense, the word bunad refers only to clothes designed in the early 20th century that are loosely based on traditional costumes.
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...