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Although the term has been used generally to describe "bodice-rippers" such as Forever Amber (1944) by Kathleen Winsor, [4] as well as Valley of the Dolls (1966) and the novels of Jacqueline Susann [5] [6] and Harold Robbins, [7] it is specifically associated with the novels of Judith Krantz, Jackie Collins, Shirley Conran, and Jilly Cooper, known for their glamorous, financially independent ...
A romance novel or romantic novel is a genre fiction novel that primarily focuses on the relationship and romantic love between two people, typically with an emotionally satisfying and optimistic ending. Authors who have contributed to the development of this genre include Maria Edgeworth, Samuel Richardson, Jane Austen, and Charlotte Brontë.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Romance novels are an often-overlooked category of literature, but it won’t take you more than a few chapters to realize engaging characters and a page-turning plot can exist right alongside sex ...
Here are the absolute best romance novels to get your heart racing. Warning: You won't be able to put them down. The post 50 Best Romance Novels of All Time appeared first on Reader's Digest.
Sales of romance books rose almost 9% in 2024, according to Circana BookScan data, contributing to the first year of growth in print book sales in the last three years, says Publisher's Weekly ...
Walter Scott describes romance as a "kindred term", [3] and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo". [4] There is a second type of romance, genre fiction love romances, where the primary focus is on love and marriage. [5]
In 1992, Los Angeles Times critic Carolyn See was probably the first to spot that a new style of popular women's fiction was emerging. [11] Though she didn't use the term chick lit, in a review of Terry McMillan's Waiting to Exhale, the critic noted that McMillan's book was not "lofty" or "luminous" but was likely to be highly commercially successful.