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Has "Tone Editor" with detune, delay, attack/decay and release. Has sustain pedal input. Not velocity sensitive. Also released as the PMP-600 as part of Casio's "Professional" line. [43] CT 657 1989 61 full 110 12 D (x6) - Has "Tone Editor" with delay, attack/decay and release. [44] CT 660 1988 61 full 465 10 D (x6) in/out/thru
The 1974 range included one folk-style guitar (W-200) and eight dreadnoughts of increasing quality and decoration: W-240-12, W-250, W-260, W-280, W-300, W-300-12, W-500, W-600. Under Rudy Schlacher, most Washburn models were ordered in runs of 200 units, rather than ongoing production; if sales went well, further runs might be ordered.
Tone King is a manufacturer of vacuum tube guitar amplifiers and stand-alone attenuators located in Baltimore, Maryland, U.S. Tone King was founded by Mark Bartel in 1993 in Kingston, New York, after studying vintage fender amplifiers with blues guitarist Ben Prevo. [1] In 1994 Mark moved the company to Baltimore.
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Adds General MIDI level 2 support, Roland GS support, and new effects. Yamaha MU500 2000 GM XG GM2: 64 64 1396 58 LED segment display for showing MIDI activity only. USB/Serial Port/MIDI connectors. Optical output. Has the MU1000/2000 soundmap, but omits some effects and does not have A/D inputs, PLG expansion board slots, or upgradable ...
The Turtle Beach Corporation (commonly referred to as Turtle Beach) is an American gaming accessory manufacturer [citation needed] based in San Diego, California.The company has roots dating back to the 1970s where it developed sound cards, MIDI synthesizers, and various audio software packages and network audio devices.
Data from Frawley Gulfstream G200 data General characteristics Crew: 2 Capacity: Typical Seating of 8-10, 18 Max / 4,050 lb (1,840 kg) Length: 62 ft 3 in (18.97 m) Wingspan: 58 ft 1 in (17.70 m) Height: 21 ft 5 in (6.53 m) Wing area: 369 sq ft (34.3 m 2) Empty weight: 19,200 lb (8,709 kg) Max takeoff weight: 35,450 lb (16,080 kg) Powerplant: 2 × Pratt & Whitney Canada PW306A turbofans, 6,040 ...
The anti-side tone circuit featured a three-winding induction coil, rather than a simple two-winding transformer. The third winding compensates a part of the sidetone by superimposing a phase-inverted portion of the transmitter signal.