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One net result of this is that a roll of film can typically contain twice the number of exposures as in a full frame 35mm camera (that is, a roll that is nominally 36 exposures allows 72 in the half-frame format). These cameras are called "half-frame" as they expose frames half the width of typical 35mm still cameras. The resulting frame is ...
In cinematography, full frame refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera. [1] Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger ...
The first full-frame DSLR cameras were developed in Japan from around 2000 to 2002: the MZ-D by Pentax, [26] the N Digital by Contax's Japanese R6D team, [27] and the EOS-1Ds by Canon. [28] Nikon has designated its full frame cameras as FX format and its smaller sensor interchangeable-lens camera formats as DX and CX.
A 36 mm × 24 mm frame of ISO 100-speed film was initially estimated to contain the equivalent of 20 million pixels, [6]: 99 or approximately 23,000 pixels per square mm. Many professional-quality film cameras use medium-format or large-format films. Because of the relatively large size of the imaging area these media provide, they can record ...
In everyday digital cameras, the crop factor can range from around 1, called full frame (professional digital SLRs where the sensor size is similar to the 35 mm film), to 1.6 (consumer SLR), to 2 (Micro Four Thirds ILC), and to 6 (most compact cameras). So, a standard 50 mm lens for 35 mm film photography acts like a 50 mm standard "film" lens ...
Frame rate. While some film cameras could reach up to 14 frames per second (fps), like the Canon F-1 with its rare high-speed motor drive, professional DSLR cameras can take still photographs at the highest frame rates. While the Sony SLT technology allows rates of up to 12 fps, the Canon EOS-1D X can take stills at a rate of 14 fps.
full frame removable; interchangeable format masks and filter holders Lens Data System (LDS) contacts; usable with FEM-2 unit interchangeable Yes Aaton 35-3P Arri PL, PV mount, or Nikon: Yes full frame fixed none, but Lens Data Archive (LDA) can be used interchangeable Yes Arriflex 235 Arri PL: Yes full frame removable
The Kodak Anastigmat Special 100mm f/3.5 on the Kodak Super Six-20 (1938, USA), the first autoexposure still camera, was a Tessar, [36] as was the D. Zuiko 2.8 cm f/3.5 on the Olympus Pen (1959, Japan), the original Pen half frame camera; [37] the Schneider S-Xenar 40mm f/3.5 on the late version of the Rollei 35 (1974, West Germany/Singapore ...