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Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
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His Paintings and Drawings, Amsterdam: J.M. Meulenhoff, no. 612 . JH1731 : Jan Hulsker (1980), The Complete Van Gogh , Oxford: Phaidon, no. 1731. See also F1540 The Starry Night (drawing, same composition) and the preliminary studies F1541v Bird's-Eye View of the Village and F1730 Landscape with Cypresses (Hulsker p. 396).
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1901, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Wallpaper Engine is an application for Windows with a companion app on Android [3] which allows users to use and create animated and interactive wallpapers, similar to the defunct Windows DreamScene. Wallpapers are shared through the Steam Workshop functionality as user-created downloadable content .
A computer screen showing a background wallpaper photo of the Palace of Versailles A wallpaper from fractal. A wallpaper or background (also known as a desktop background, desktop picture or desktop image on computers) is a digital image (photo, drawing etc.) used as a decorative background of a graphical user interface on the screen of a computer, smartphone or other electronic device.
The Fallen Angel (French: L'Ange déchu) is a painting by French artist Alexandre Cabanel. It was painted in 1847, when the artist was 24 years old, and depicts the Devil after his fall from Heaven. [1] The painting is at the Musée Fabre in Montpellier. [2]
The National Museum in Oslo bought Arbo's painting the same year. [10] By 1872, the depiction of Norse myths was largely out of fashion among art critics, who had more enthusiasm for Realism. In his review from the Nordic Exhibition, the critic Julius Lange dismissed Arbo's and Winge's mythological works as "ghosts and bogeymen". [4]