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  2. Cajun accordion - Wikipedia

    en.wikipedia.org/wiki/Cajun_accordion

    The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...

  3. Marc Savoy - Wikipedia

    en.wikipedia.org/wiki/Marc_Savoy

    Savoy acquired a Sidney Brown accordion as a teenager, and within a few years was interested in making his own. [4] After earning a degree in chemical engineering, [5] in 1966 he went into business full-time as an accordion maker and player, based at his Savoy Music Center in Eunice.

  4. Larry Miller (accordionist) - Wikipedia

    en.wikipedia.org/wiki/Larry_Miller_(accordionist)

    His grandson Jay continues to build accordions under the brand "Bon Cajun." [1] [2] In 2003, he estimated he built approximately 85 accordions and repaired 200 – 250 accordions each year. [1] He says each accordion was hand-crafted and took between 160 and 175 hours to make, and he made about 1200 in total. [3]

  5. Joe Hall (accordionist) - Wikipedia

    en.wikipedia.org/wiki/Joe_Hall_(accordionist)

    Joe Hall was an American accordionist and vocalist who performed Creole la la, Cajun, and zydeco music. He passed away on November 21, 2024. Hall was born in Eunice, Louisiana, on December 15, 1971. [1]

  6. Sheryl Cormier - Wikipedia

    en.wikipedia.org/wiki/Sheryl_Cormier

    Sheryl Cormier (born March 15, 1945) is an American Cajun accordion musician. She began playing the accordion when she was 7 years old. She is "one of the few women to establish herself in Cajun music" and is the first professional Cajun accordion female musician.

  7. Amédé Ardoin - Wikipedia

    en.wikipedia.org/wiki/Amédé_Ardoin

    Both his accordion playing and vocals have been stylistically influential in Cajun music and zydeco. [ 6 ] Along with bandmates like Dennis McGee, Ardoin "crossed the musical color line" in the Jim Crow South , earning the admiration of listeners of both races and creating temporary social spaces where cultural interchange could take place. [ 11 ]