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Images pour orchestre, L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of Images as a two-piano sequel to the first set of Images for solo piano , as described in a letter to his publisher Durand as of September 1905.
Sheet music published in California between 1852 and 1900, along with related materials such as a San Francisco publisher's catalog of 1872, programs, songsheets, advertisements, and photographs. Images of every printed page of sheet music from eleven locations have been scanned at 400 dpi, in color where indicated. University of California ...
An oboe–bassoon–piano trio is a chamber music ensemble made up of one oboe, one bassoon, and one piano, or the name of a piece written for such a group.. The ensemble is similar to the classical piano trio in which the violin is replaced by the oboe and the cello is replaced by the bassoon.
The Trio pour hautbois, basson et piano (Trio for oboe, bassoon and piano), FP 43, by Francis Poulenc is a three-movement chamber work, composed between 1924 and 1926, and premiered in the latter year. The trio was well received at its premiere in Paris, with the composer at the piano. It has been performed and recorded frequently since.
A slower middle section leads to a climax in the piano. [2] The final Déploration, marked Très calme (very calm), has a theme like a chorale, introduced in the piano. The entrance of the oboe is marked monotone, and the essentially sad music shifts in tonality towards the close. [2]
Quintet in E-flat for Piano and Winds, Op. 16, was written by Ludwig van Beethoven in 1796. The quintet is scored for piano , oboe , clarinet , horn , and bassoon . It is alleged to be inspired by Mozart 's Quintet, K. 452 (1784), which has the same scoring and is also in E-flat.
The first romance consists of an introductory piano phrase followed by the central theme played by the oboe. The piano has a layered accompaniment. After a faster-paced main section, the movement ends softly after returning to the central theme. [6] The romance as a whole has been described as "tranquil."
Carl Nielsen's Fantasy Pieces for Oboe and Piano (Fantasistykker for obo og klavier), Opus 2, were composed shortly after the composer had taken up the post of second violinist in the Royal Danish Orchestra in 1889. The two pieces which make up the opus were first performed at the Royal Orchestra Soirée in Copenhagen on 16 March 1891.