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Initially operating as Stark Record and Tape Service, the company placed racks of LPs, 45 rpm records and cassettes in rented store space and maintained their stock and displays. In 1965, the company opened its first retail store as Camelot Music in North Canton, Ohio with another store opening in the Mellett Mall (now Canton Centre) a few ...
Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch 78 RPM and 7-inch 45 RPM, in reproduction Parlophone sleeves, 25 copies of each; these are estimated to be worth upwards of £10,000 each. [5] [6]
45 RPM singles records were usually drilled with a hole through the label, or stamped "C.O." A special section of a record store devoted to such items was known as the "cut-out bin" or bargain bin. [1] [2] As tapes and CDs supplanted LPs, the mechanisms for indicating a cut-out changed.
The 45 rpm speed was chosen to allow a 5 + 1 ⁄ 2 minute playing time from the 7-inch disc. [11] The 7-inch 45 rpm record was released March 31, 1949, by RCA Victor as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. [12] The first 45 rpm records were monaural, with recordings on both sides of the disc. As ...
The only common exception to this is the 7-inch 45 rpm record, which was designed with a center hole slightly more than 1 + 1 ⁄ 2 in (38 mm) in diameter both for convenience in handling and to accommodate a very fast record-changing mechanism contained inside a correspondingly large spindle, as implemented in RCA Victor's early stand-alone ...
Conventions shifted in the early 1960s, at which point record companies started assigning the song they wanted radio stations to play to side A, as 45 rpm single records ("45s") dominated most markets in terms of cash sales in comparison to albums, which did not fare as well financially. Throughout the decade the industry would slowly shift to ...