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A representation of the goddess can be found on each side of the 1503 CE Coronation Stone of the Aztec ruler Moctezuma II, alongside the glyphs for fire and water — traditional symbols of war. Historian Mary Miller even suggests that Tlaltecuhtli may be the face in the center of the famous Aztec Calendar Stone (Piedra del Sol), where she ...
The tongue was cast to hang freely, allowing it to be retracted or extended, and for it to swing from side to side with the movement of its wearer. [1] The underside of the lower jaw is covered in scales; atop the head is depicted a feathered and beaded headdress, represented in false filigree by a circle of ten spheres from which extend three ...
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
An Aztec sculpture representing the left-facing head of Xiuhcoatl. Typically, Xiuhcoatl was depicted with a sharply back-turned snout and a segmented body. Its tail resembled the trapeze-and-ray year sign and probably does represent that symbol. In Nahuatl, the word xihuitl means "year", "turquoise", and "grass". Often, the tail of Xiuhcoatl is ...
Mictlāntēcutli or Mictlantecuhtli (Nahuatl pronunciation: [mik.t͡ɬaːn.ˈteːkʷ.t͡ɬi], meaning "Lord of Mictlan"), in Aztec mythology, is a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld.
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]
The image is clear. The Templo Mayor is the image of Coatepec or Serpent Mountain where the divine battle took place. Just as Huitzilopochtli triumphed at the top of the mountain, while his sister was dismembered and fell to pieces below, so Huitzilopochtli's temple and icon sat triumphantly at the top of the Templo Mayor while the carving of ...
The deity is shown brandishing a severed leg, thought to be a symbol of battle. Beginning in the 1990s, archeologists exploring the Barranca Del Aguila region, southwest of Mexico City, have discovered caves carved to simulate the seven chambered cave, known as Chicomoztoc , from the ritual creation narrative.